| 整体观视野中的电影艺术论 |
 点此下载全文 |
| 引用本文：何祖健.整体观视野中的电影艺术论[J].湖南大学学报社会科学版,2011,(1):151-155 |
| 摘要点击次数: 1107 |
| 全文下载次数: 160 |
|
|
| 中文摘要:对电影的认识历来表现为有机整体与机械整体两种不同取向。中国电影叫好不叫座或叫座不叫好的现象的实质是机械整体思维方式下的电影综合艺术观的反映。有机整体论视野中的电影创作虽需综合各种艺术手段，但它是各部分协调合作和精妙秩序下整合效应（即新质）的产生；电影审美接受中，人的知觉系统是按照一定的规律形成和组织起来的整体，而不是感觉元素的拼凑。 |
| 中文关键词:整体论 第七艺术；新质；部分之和 |
| |
| Film Art in the Vision of Holism |
|
|
| Abstract:Knowledge of film has always have two different orientations, the organic whole and the mechanical whole. The essence of the phenomenon that Chinese films are praised but attract only a few audiences or draw a large audience but not praised is the reflection of comprehensive view of art film under the mechanical whole way of thinking. When using some certain theory of the organic whole, the film making has integrated a variety of artistic means, but it is the production of integrated effect(that is, new quality) when all parts work under coordinated cooperation and sophisticated order. During the film aesthetic acceptance, Human perception system is an entirety formed by some certain rules, not pieced together by sense elements. |
| keywords:integral theory the Seventh Art new quality the sum of part |
| 查看全文 查看/发表评论 下载pdf阅读器 |
|
|
|
次