| 新文化视域中的现代情感诗学建构——1920年代初梁启超对于文学之“体”与“用”的重新定位 |
 点此下载全文 |
| 引用本文：张冠夫.新文化视域中的现代情感诗学建构——1920年代初梁启超对于文学之“体”与“用”的重新定位[J].湖南大学学报社会科学版,2011,(4):86-92 |
| 摘要点击次数: 1173 |
| 全文下载次数: 122 |
|
|
| 中文摘要:1920年代初欧游归来的梁启超积极参与到新文化运动中，发表了一系列与早年“三界革命”时代的文学观判然有别的演讲和著述。他强调情感与理性、文学与科学的分界，并从阐发文学的情感表现本质，张扬文学的“情感教育”功能入手，将文学纳入其国学架构中，借助中西文学比较等新方法，对中国传统文学进行了重新阐释。梁启超的情感诗学成为实现其“宣传新文化”、“培养新人才”和“开拓新政治”主张的重要载体。由情感诗学所彰显的梁启超的新文化观，与新文化运动的主流话语形成深具启发性的对话关系。 |
| 中文关键词:梁启超 新文化 文学 情感 诗学 |
| |
| The Construction of Modern Emotional Poetics in the Perspective of New Culture: Liang Qi chao’s re position of the “noumenon” and “function” of literature at early 1920s |
|
|
| Abstract:In the early 1920s, Liang Qi chao came back from Europe and actively participated in the New Cultural Movement and published a series of literary writings and lectures which were clearly different from his outlook on literature during the early “Three Boundary Revolution”. He emphasized the boundaries between emotion and sense, culture and science, and brought Poetics into the field of studies of Chinese ancient civilization by confirming the nature of emotional expression and publicizing the function of “Emotional education” in literature. With a comparison of Chinese and Western literature, he reinterpreted the Chinese traditional literature and his theory became the important carrier of “propagandizing new culture”, “training new talents” and “developing new politics”. Liang Qi chao’s new Cultural perspective manifested in his works built up a very inspiring and constructive relation relationship with the mainstream discourse. |
| keywords:Liang Qi chao, New Culture, Literature, Emotion, Poetics |
| 查看全文 查看/发表评论 下载pdf阅读器 |
