| 哲学与艺术的共同抵抗——阿多诺对于现代美学的构想及意义 |
 点此下载全文 |
| 引用本文：孙利军.哲学与艺术的共同抵抗——阿多诺对于现代美学的构想及意义[J].湖南大学学报社会科学版,2013,(1):128-131 |
| 摘要点击次数: 1011 |
| 全文下载次数: 78 |
|
|
| 中文摘要:阿多诺美学的出发点在现代艺术，落脚点在拯救现实。他认为，只有把哲学和艺术二者有机结合，才足以让传统美学重新焕发活力，促进艺术的发展，进而挽救处于颓势的人类文明。阿多诺注意挖掘传统美学的潜力、从现代艺术现实出发构建现代美学理论、注重美学理论的开放性，对我国当代美学理论的构建具有借鉴意义。 |
| 中文关键词:阿多诺 现代美学 共同抵抗 |
| |
| The Joint Resistance of Philosophy and Art |
|
|
| Abstract:The starting point of Adorno’s aesthetic theory was interpreting modern art and the target was to save the real life. He believed that aesthetics renew its vigor to promote the development and further save human culture that would stay in decadent until philosophy and art joined together. Adorno paid his attention to traditional aesthetic, the practice of modern art, and the openness of the theoretical system, and this should inspire us to build a contemporary aesthetic theory. |
| keywords:T.W.Adorno, Modern Aesthetic, the Joint Resistance |
| 查看全文 查看/发表评论 下载pdf阅读器 |
