| 与影共舞——《解放了的朱克曼》中的“自我”隐喻解读 |
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| 引用本文：张生庭.与影共舞——《解放了的朱克曼》中的“自我”隐喻解读[J].湖南大学学报社会科学版,2013,(2):100-104 |
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| 中文摘要:罗斯小说《解放了的朱克曼》中人物之间存在独特的隐喻关系。小说中，演艺界女明星希萨拉和曾经参加电视节目问答秀的犹太人阿尔文都与朱克曼之间存在着互为隐射的对应关系，是朱克曼的文化影子和生存映射:希萨拉是纳森作为文化名人的“自我”隐喻，而阿尔文则是纳森犹太自我的隐喻。就此角度而言，整个文本就是一出“与影共舞”的隐喻游戏。 |
| 中文关键词:朱克曼 文化隐喻 犹太自我 文化自我 |
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| Dancing with One’s Own Shadows: An Interpretation of the Metaphors for Self in Zuckerman Unbound |
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| Abstract:In Philip Roth’s Zuckerman Unbound (1981)，there exist unique metaphorical relationships between different protagonists. Besides the focal figure Zuckerman, there are two mysterious figures: Caesara O’Shea the famous actress and Alvin Pepler the Jewish who was ever a TV Quiz Show Star. Culturally speaking, Caesara acts in the text as one of Zuckerman’s alter ego of being a celebrity, and Alvin as Nathan’s cultural alter ego of being a Jew. In this sense, the whole text might as well be regarded as a metaphoric game of the writer-protagonist’s alter egos. |
| keywords:Zuckerman cultural metaphor Jewish ego cultural ego |
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