| 最深处是歉疚和忏悔——论《秦腔》中的引生和白雪 |
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| 引用本文：刘继业.最深处是歉疚和忏悔——论《秦腔》中的引生和白雪[J].湖南大学学报社会科学版,2013,(6):90-94 |
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| 中文摘要:在《秦腔》中，引生只是一个旁观者和叙述者，白雪才是小说真正的主人公，经由对于白雪的美、无辜、孤独和悲苦的刻画，寄托着作家对于既往岁月的歉疚和忏悔，这是作家的“心迹”。研究者的矛盾在于，既高度肯定小说“密实的流年式的叙写”，又带着寻求“规律”的眼打量这部作品，很难真正接受生活无尽的偶然和枝蔓。 |
| 中文关键词:贾平凹 《秦腔》 “心迹” |
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| It Is the Guilt and Confession in the Innermost Bottom of the Heart——On Yinsheng and Baixue of the Novel Qinqiang |
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| Abstract:In the novel of Qin Qiang， Yinsheng only plays the role of a stand-by observer and narrator, while Baixue is actually the main character in this novel. The author expressed his guilt and confession over the years via the portrayal of Baixue’s beauty, innocence, loneliness, and misery. Through this inner emotional and spiritual journey, he discovered and disclosed his true feelings and intentions from the bottom of his heart. As a literature researcher, one has to face a dilemma-both speaking highly of the concise narration and compact writing, and looking closely for certain writing rules, if any, that the author may or may not have obeyed. This dilemma puts the researcher in a position where it is very difficult to fully embrace and accept the randomness and the branches and tendrils of the tree of life. |
| keywords:Pingwa Jia Qinqiang ‘true feelings and intentions from the bottom of the heart’ |
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