| 钗黛实为同根生——从原型批评理论看“钗黛一体” |
 点此下载全文 |
| 引用本文：周悟拿.钗黛实为同根生——从原型批评理论看“钗黛一体”[J].湖南大学学报社会科学版,2014,(3):94-98 |
| 摘要点击次数: 938 |
| 全文下载次数: 63 |
|
|
| 中文摘要:在《红楼梦》的显性表达中，林黛玉和薛宝钗素来代表两种迥异的处世哲学和人生价值观，而若从荣格的原型批评理论入手，以分析人格面具为出发点，从性格、才能、命运的差异进行逆向探究，追溯人物性理的终极意义和心理积淀的艺术呈示，便能将其人格面具发展的原因和过程理出清晰脉络，最后论证出虽然钗黛看似二人，但是实为一体，也从侧面说明研究脂批对于探寻曹雪芹创作匠心的重要意义。 |
| 中文关键词:《红楼梦》 荣格 原型批评 人格面具 钗黛一体 |
| |
| Same Origin or Two Extreme——Using Jung’s Archetypal Criticism to Analyze the Similarity of Baochai and Daiyu in Dream of the Red Chamber |
|
|
| Abstract:In the explicit representation of Dream of the Red Chamber, Lin Daiyu and Xue Baochai always represent two kinds of life philosophies and values, which totally differ from each other. However, based on the analysis of persona, the author chooses the perspective of Carl Jung’s archetypal criticism, conducts a converse exploration of these two characters’ different personalities, talents and destinies. Retrospecting the ultimate meaning of characters’ personalities and artistic representation of characters’ psychological meditation, this paper gives a clear explanation to show the reasons and procedures of the persona’s development. In conclusion, though Lin Daiyu and Xue Baochai look like two totally different characters, they are essentially derived from the same origin. The conclusion also infers that in the process of probing into Cao Xueqin’s essential ingenuity, the study of Zhiyanzhai’s comments is of great significance. |
| keywords:Dream of the Red Chamber Carl Gustav Jung archetypal criticism persona the Similarity of Baochai and Daiyu |
| 查看全文 查看/发表评论 下载pdf阅读器 |
