| 地域与心域：论“北达科他州系列”中生态扩张对政治文化扩张的推进作用 |
 点此下载全文 |
| 引用本文：方丹.地域与心域：论“北达科他州系列”中生态扩张对政治文化扩张的推进作用[J].湖南大学学报社会科学版,2015,(3):101-105 |
| 摘要点击次数: 723 |
| 全文下载次数: 38 |
|
|
| 中文摘要:作为有自觉生态意识与种族观念的印第安裔美国作家，露易斯·厄德里克的“北达科他州系列” 以其文本丰富的生态与政治文化内蕴著称。基于后殖民生态批评理论，本文指出，“北达科他州系列” 揭示了西方殖民者通过对生态扩张实现殖民扩张的隐秘路径。文本揭示，西方话语是通过对 “荒野”概念的殖民定义突破了原住民文化传统的合法性，从而以生态扩张实现了对经济与种族文化的双重帝国殖民化。生态扩张本质上是打着促进社会发展和传播先进文明的旗帜进行的殖民扩张，摧毁当地原生生态系统乃至文化系统。此外，厄德里克 “北达科他州系列”一方面对此生态扩张行径提出发聩抨击，同时也对其中的发展与文明的伦理悖论性提出开放性思考。 |
| 中文关键词:《痕迹》 生态扩张 殖民扩张 |
| |
| Land and Heart: On the Impetus of Ecological Expansion to Political Cultural Colonization in “North Dakota Quartet” |
|
|
| Abstract:As a Native American writer deeply rooted in ecological awareness and racial consciousness, Louise Erdrich presented profound ecological, political and cultural connotation in her “North Dakota Quartet”. From the perspective of postcolonial ecocriticism, this paper pointed out that European settlers promoted their colonial expansion by boosting ecological expansion. By using the concept of terra incognita, the Western settlers sabotaged the validity of Native American traditional wisdom, and achieved their colonization of both economy and culture by colonizing the ecosystem. The paper also indicated that the nature of ecological expansion is a kind of colonization, which damaged the local ecosystem as well as the cultural system under the name of social development and civilization. Furthermore, this paper proposed that Louise Erdrich condemned this ecological expansion in her “North Dakota Quartet” and evoked people’s thoughts on the ethical paradox of development and civilization. |
| keywords:Tracks ecological expansion colonial expansion |
| 查看全文 查看/发表评论 下载pdf阅读器 |
