| Abstract:The criticism on Ci-poetry in the Ming Dynasty in Chinese traditional Ci-poetry visual field, mainly embodies in three aspects: one is the comprehensively negative judging to Ci-poetry in the Ming Dynasty, the second is the multivariate analysis of the decline of the Ci-poetry in the Ming Dynasty, and the third is dispelling and correcting the criticism that Ci-poetry died in the Ming Dynasty. In the second aspect, people mainly discourse the disadvantages of Ci-poetry in the Ming Dynasty from interblending the Ci-poetry and traditional opera, melody-composing, and certain characteristics like listlessness and vulgarity, absence in meanings. In the third aspect, Kuang Zhouyu and Zhao Zunyue , discussed the deficiency and merit of Ci-poetry in the Ming Dynasty from a dialectical point, which is extremely epoch-making. The criticism on Ci-poetry in the Ming Dynasty in Chinese traditional Ci-poetry, perfectly expands and deepens the understanding of the evolution of classical Ci-poetry from considerably unique point of view, which is of important value. |
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