论金克木对“纯诗”理论的建构与践行
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引用本文:罗小凤.论金克木对“纯诗”理论的建构与践行[J].湖南大学学报社会科学版,2019,(3):78-86
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作者单位
罗小凤 (扬州大学 文学院江苏 扬州225002) 
中文摘要:金克木在20世纪30年代对“纯诗”进行过系统的理论阐释、建构与践行,其话语中的“纯诗”是使诗之为诗的一种质素,是新诗与旧诗、中国诗与外国诗共通的“诗”。具体而言,金克木认为纯诗是必然难懂的、主智的、小众的、有“无定形的形式”,并在自己的诗歌创作中以智情合一的智慧诗、“不能一读即了解”的含蓄和外自由而内严密的韵律对其建构的“纯诗论”进行实践,反拨了初期新诗只注重“新”与“白话”而不注重“诗”的误区,切入问题的本体层面,发现了中国新诗建设过程中最基本的问题,对1930年代及后来诗歌的发展都具有重要意义。
中文关键词:金克木  纯诗  新诗  建构  践行
 
On Jin Kemu's Construction and Practice of the Theory of Pure Poetry
Abstract:In the 1930s, Jin Kemu systematically explained, constructed and practiced “pure poetry”. In his discourse,“Pure poetry” is a quality that makes poetry to be poetry, which is the common characteristics between the new poetry and classic poetry, Chinese poetry and foreign poetry. Specifically, Jin Kemu believes that pure poetry is inevitably difficult to comprehend, intelligent, belonging to minority, and “amorphous”. And in Jin Kemu’s poetic creation, he wrote the poems with the style of wisdom, the implicit of “can not read and understand” and the rythm with external freedom and internal rigor, which puts his “Pure Poetics” into practice. It is a backwash to the misunderstanding trend of only paying attention to “new” and “vernacular” but not paying attention to “poetry”, having found the most basic problems in the course of the construction of Chinese new poetry, which is of great significance to the development of the 1930s and later poetry.
keywords:Jin Kemu  pure poetry  new poetry  construction  practice
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