| 从“周因殷礼”到“周文郁郁”——西周宗法礼乐制度的建构 |
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| 引用本文：陈戍国，陈 雄.从“周因殷礼”到“周文郁郁”——西周宗法礼乐制度的建构[J].湖南大学学报社会科学版,2019,(4):114-120 |
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| 中文摘要:事情的发展总是由简到繁、由粗到细，宗周的礼乐制度亦不例外，所以“制礼作乐”绝非一蹴而就，亦非一人之功，当是一个过程的集合体，这个“过程”的时间跨度上溯文王下至成康，其间周公所发挥的作用最具代表性。周人损益“殷礼”的最大“创造”在于：发展出以嫡长子继承制为核心的、完善的宗法制度，并将宗法与分封相结合，又援“德”入“礼”，将整个社会的政治和文化生活设置在了礼乐制度的框架之下，社会上下尊卑等级分明却又洋溢着和谐的秩序。这个礼乐制度的框架包括：吉、凶、宾、军、嘉“五礼”体系；乐教、诗乐、乐舞、用乐、乐悬“五乐”制度；铜器、玉器、服冕、车马、旗帜等礼器用制。 |
| 中文关键词:周礼 礼制 乐制 礼器 |
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| From Learning to Breakthrough—— Construction of Patriarchal Ritual-musical System in the Western Zhou Dynasty |
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| Abstract:Ritual-musical civilization in the Western Zhou Dynasty was an all-encompassing political, educational and cultural system. The construction process of this " system" can be traced back to King Wen of Zhou, the Duke of Zhou in the middle, and then passed on to King Cheng of Zhou. This is a process from being rough to fine and from being simple to complicated. The core of ritual-musical system is the lineal primogeniture and patriarchal clan. The spirit of ritual-musical civilization is "morality", which makes the society hierarchical while achieving harmony and order. |
| keywords:Ritual Ritual system Musical system Sacrificial vessel |
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