| 现代西方诗学的还原论——四 家 例 说 |
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| 引用本文：张文初1,罗益民2.现代西方诗学的还原论——四 家 例 说[J].湖南大学学报社会科学版,2021,(4):78-85 |
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| 中文摘要:高扬文艺还原现实事物与生存经验的资质是现代诗学的一种重要意向。柏格森、兰色姆、罗伯·葛利叶、梅洛·庞蒂是秉持现代诗学还原论的有代表性的四家。柏格森希望拆除功利化感官意识的屏障，让人回归现实事物。兰色姆否定科学理性，其还原目标是本原世界。罗伯·葛利叶颠覆文化观念，要还原的是事物本身。梅洛·庞蒂解构笛卡尔哲学传统和现代自然科学的思维机制，其还原目标指向“世界之肉”。现代艺术哲学的“还原”不是运动，但依旧可从逻辑和历史的层面考量。还原论与传统再现论有密切关联，但其以“效应”为重心和以“失落”为前提的思考方式迥然有别于历史上的“再现”。 |
| 中文关键词:现代 诗学 还原 |
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| The Retrieving Intention of the Modern Western Poetics: A Study of the Ideas of Four Thinkers |
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| Abstract:One of the intentions of the modern western poetics is to pay attention to the importance of art’s retrieving the authentic reality and life experiences. Henri Bergson hopes to get rid of the hindrance of the materialistic sensual feeling in order to face the reality. what John Crowe Ransom wants to do is to obtain the original world with poetry. Alain Robbe Grillet accuses all kinds of human culture of its covering the real things. In the view of Maurice Merleau Ponty, art’s aim is to retrieve the world tissue excluded by Cartesian philosophy and the modern natural sciences. There are both identity and nonidentity between the modern ideas of art’s retrieving of reality and the traditional theory of representation. |
| keywords:the modern poetics retrieving |
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