| 晚明诗学研究现代范式的确立及影响 |
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| 引用本文：王 逊.晚明诗学研究现代范式的确立及影响[J].湖南大学学报社会科学版,2023,(1):106-112 |
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| 中文摘要:当下的晚明诗学研究多受一种共性的思维方式与研究方法统辖，此即“复古—革新”模式，具体涉及阵营的划分、价值判断标准的确立，以及发展轨迹的梳理。古人虽无复古/革新对立的明确表述，但作为两种具有代表性的创作思潮，它们的存在并广泛发挥影响却是不争的事实。至民国之时，时人于继承传统理路的同时，也在种种因素影响下不断偏离轨道。首先是对复古思潮的全面批判，进而在进步史观的影响下，二者分别被贴上“进步”与“落后”的标签，有关演进轨迹的表述也被改造为革新对于复古的对抗和取代，此后更被赋予历史发展的必然性。学人对其间缺失虽多有反思，但所谓“突破”仅是观点/结论层面的个别调整，未曾实现思维方式的更新，扬革新而抑复古的基调始终如一，重建之路依然任重而道远。 |
| 中文关键词:晚明诗学 现代范式 复古 革新 |
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| Establishment of the Modern Paradigm of the Late Ming Poetic Studies and its Impact |
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| Abstract:The current studies of the late Ming poetics are governed by a common way of thinking and research method, which we can call the “retro-revolutionary” model. To a certain extent, the relevant understanding is in line with traditional cognition, but it is even more enriched and clarified by a group of scholars since modern times on the basis of a certain general understanding in the past, which inevitably has many distortions. Although we have reflected on the shortcomings, it is difficult to transcend them because we are subject to a kind of preconception, and we are even deeply influenced by them without knowing it, and the way to correct them is to remove the external fetters and base on the basic literature. |
| keywords:late Ming poetics modern paradigm retro innovation |
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