| 降临的“主人翁”——《西游记》“主人收降”模式的叙事学意义 |
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| 引用本文：刘涵之，王艺潞.降临的“主人翁”——《西游记》“主人收降”模式的叙事学意义[J].湖南大学学报社会科学版,2024,(6):84-95 |
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| 中文摘要:从叙事学角度来看，《西游记》中神仙属下下界为妖的故事遵循相同的“主人收降”叙述模式，意义丰富。叙述者以“忧虑的唐僧”为始，将重点移至神魔之争，通过“第三人”强化西行受难的主题，最后在“主人翁”的降临中剥落了取经故事的神圣光环，强调了“主人翁”的特殊之处。在独特的文化心理和叙事意图的驱使下，降临的“主人翁”并不是突兀的求助，而是表征小说叙事目的的真正达成。“主人收降”模式也因此区别于古代希腊悲剧的“机械降神”模式。 |
| 中文关键词:《西游记》 主人收降 机械降神 叙事学 |
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| The Descending “Master”—The Narrative Significance of the “Master Subdues Demon” Narrative Mode in Journey to the West |
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| Abstract:According to narratology,those stories in Journey to the West that are about supernatural beings’ servants becoming demons in the mortal world, follow the same narrative mode named “master subdues demon” and have rich narrative significance.The narrator used “apprehensive Tang Monk” as the beginning to shift the focus to the struggle between supernatural beings and demons. Then he strengthened the theme of suffering on the journey by “the third role”.Finally, he striped away the sacred aura of the story in the descent of “master” and emphasized the uniqueness of “master”.Driven by unique cultural psychology and narrative intention, the descending “master” is not an abrupt invocation but the real achievement of narrative purpose.As a result, the “master subdues demon” narrative mode distinguishes itself from “deus ex machina” of ancient Greek dramas. |
| keywords:Journey to the West master subdues demon deus ex machina narratology |
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