| “五四”前后服饰变革与诗体解放的同构关系 |
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| 引用本文：汪云霞，蒋雨珊.“五四”前后服饰变革与诗体解放的同构关系[J].湖南大学学报社会科学版,2025,(5):86-93 |
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| 中文摘要:在“五四”前后的历史语境中，现代知识分子所倡导的服饰变革与诗体革命同向而行，相互影响。白话新诗人不仅是诗体解放的实践者，也是西式服制的倡导者和推动者，不仅如此，他们还在新诗中赋予西服以“物-词-人”三重面向的丰富隐喻。一方面，服饰变革与诗体解放体现了诗人对传统“言词秩序”和“身体秩序”的反叛。另一方面，诗人又不得不面临传统与现代、本土与西方双重文化夹缝的尴尬处境。而到了20世纪20年代至30年代，随着“打倒西服”运动与“反欧化诗”潮流的兴起，诗人意识到捍卫民族文化身份和重建主体的必要性。“五四”前后服饰变革与诗体解放这一双线同构的历史图景表明，现代知识分子所追求的主体性始终处于不断生成和重构的流变状态之中。 |
| 中文关键词:“五四” 新诗 服饰变革 诗体解放 |
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| The Isomorphic Relationship between Clothing Reform and Poetic Liberation Around the May Fourth Movement |
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| Abstract:In the historical context around the May Fourth Movement，the clothing reforms advocated by modern intellectuals and the revolution in poetic form advanced in parallel, mutually influencing each other. Vernacular poets were not only liberators of poetic form but also advocates and promoters of Western-style clothing system. Moreover， using new poetry，they imbued Western suits with rich metaphors possessing three dimensions: things-words-man. On one hand，clothing reform and poetic liberation embodied poets’rebellion against traditional “linguistic order” and “bodily order”. On the other hand，poets found themselves being caught in the awkward predicament of dual cultural tensions of tradition versus modernity and the locality versus the Occident. By the late 1920s to the 1930s，with the rise of the “Down with Western Suits” movement and the anti-“Europeanization” trend in the field of poetry, poets came to recognize the necessity of defending national cultural identity and reconstructing the subjective self. This dual-track historical narrative of isomorphic relationship between the May Fourth clothing reform and poetic liberation demonstrates that the subjectivity pursued by modern intellectuals has always existed in a rheological state of constant creation and reconstruction. |
| keywords:May Fourth movement Chinese new poetry clothing reform poetic liberation |
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